Ashley Bryan, 85 last Sunday.

The Warm Springs Gallery in Warm Springs, Virginia (population around 900) had an opening for a rare exhibition of his paintings. Bryan is best known as a writer and illustrator of children’s books. He was one of the first persons of color to present images of children of color in picture books that were not stereotypical. He was, as Poet Nikki Giovanni put it at the opening, a real pioneer.

I was working, of course. On assignment. Yet I can’t remember when I’ve had a better time hanging out with anyone. I think I was not alone in this. The enormous crowd (the gallery was packed to the squishing point) was mostly extremely well-heeled , sedate-looking folks, who appeared to be having a genuinely good time–as opposed to the usual effort-filled good time usually observed at such events.

I think Ashley Bryan’s paintings had something to do with this. He lives on a tiny island off the coast of Maine and this series of canvases were all of the gardens around his home. They were as bright and hopeful as new love, and they passed their brightness and hopefulness on to the audience. Bryan moved among us, charming us without appearing to make the slightest effort to be charming. The man was just so alive it’s catching.

Talking with him before the crowd arrived, I asked him what he’d like to think he brought to the world with his books, his art, his life. In response, he talked about his upcoming birthday. But, he said, every day’s a birth day, for it’s the birth of a new day. If I can convey something of the freshness, the newness, of each day, then I will feel that I’ve put something of myself down on the page.

Not a bad message is it for those of us in recovery, is it, to regard each day as a birth day; as the birth of a new day.